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dont il se souvient sans doute en peignant ces flots « impétueux et foisonnants »
No one remains to guide us but a cat
Essays by Gruia Badescu
and we ourselves are knots of the same sort
Une grande réussite
La movida: a chronicle of turmoil obscène dont il se souvient sansFrom 1978 and for almost a decade following, Madrid was both the origin and epicentre of an upheaval. La Movida was not an artistic movement, nor did it have a political manifesto. Rather, it was an emergence; a countercultural, youthful convulsion. The ostracism and short sightedness that characterised the dictatorship were being left behind and a restless cohort of young people was diving into life. Four photographers captured the zeitgeist like no
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